Daisy Jones and The Six
Table of Contents
Daisy Jones and The Six
Daisy Jones and The Six is the latest novel to be checked off my to be read list. It has been on my to be read list for far too long, and keeps being shuffled down the list as other books take priority.
I’ll be the first to admit that I’m honestly mad at myself for not reading Daisy Jones and The Six sooner. I have owned the book since it was released, and even bought a copy for my mother-in-law, after we talked about the show they’ve made based on the book. You’d think I would have made it more of a priority to read Daisy Jones and The Six. But no.
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I’m often easily distracted, and my to be read list can reflect my terrible attention span, because I have it in my head that I want to read a specific book, and then I get distracted by something shiny and go for that instead. I’ve had it happen many times before, as I’m sure it will again. Where I am mad it took me far too long to read a book because I loved it.
It was finally time. I have been making it a point to read more of my favorite authors this year, and decided that Taylor Jenkins Reid is absolutely on that list, and it was time to read Daisy Jones and The Six. You’ll see more reviews of her books in the near future as well. Life is too short, so read the best books!
“But loving somebody isn’t perfection and good times and laughing and making love. Love is forgiveness and patience and faith and every once in a while, it’s a gut punch. That’s why it’s a dangerous thing, when you go loving the wrong person. When you love somebody who doesn’t deserve it. You have to be with someone that deserves your faith and you have to be deserving of someone else’s. It’s sacred.”
Taylor Jenkins Reid, Daisy Jones and The Six
Have you read Daisy Jones and The Six? Come on in and let me tell you about it!

About Daisy Jones and The Six
Everyone knows Daisy Jones and The Six, but nobody knows the reason behind their split at the absolute height of their popularity . . . until now.
Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ’n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.
Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.
Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.
The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones and The Six, brilliantly capturing a place and time in an utterly distinctive voice.

Meet the Band
Daisy Jones
Singer, solo and for Daisy Jones and The Six. Born in Los Angeles, she spent time as a groupie in the early 1970s on the Sunset Strip before becoming an artist of her own. She released her first album, First, in 1975 with Runner Records. And then appeared as a featured artist on the hit, “Honeycomb,” by The Six before eventually forming the super group, Daisy Jones and The Six.
Billy Dunne
Lead singer, songwriter for The Six. Born in Pittsburgh, Pennsylvania, Billy and his younger brother, Graham, formed the band The Dunne Brothers in the late 1960s. That band went on to become The Six. They played bars and small venues on the east coast before moving to LA and signing with Runner Records. They became best known for their hit, “Honeycomb,” off of their sopho- more album, a duet featuring Daisy Jones. Together, Daisy Jones and The Six released the hit album, Aurora.
Pete Loving
Bassist for The Six. Born in Pennsylvania, Pete joined The Dunne Brothers as a teenager soon after the band formed and took an active role in shaping the band’s rhythm section for the entirety of their career.
Eddie Loving
Rhythm guitarist for The Six. Invited by his older brother, Pete, to join the band a few months after the group had formed, Eddie replaced Billy on rhythm guitar. Despite tensions with Billy, Eddie remained the rhythm guitarist on all three studio albums and tours.
Graham Dunne
Lead guitarist for The Six. Born in Pittsburgh, Pennsylvania, he joined older brother Billy in the formation of the band The Dunne Brothers and remained in the group for all three albums and tours. He was known for his exceptional finger-picking style and also sang backup vocals.
Warren Rhodes
Drummer for The Six. Warren started drumming as a young teenager out of a desire to be like the drummers in his favorite bands. He joined Billy and Graham in the formation of The Dunne Brothers in Pittsburgh in the late 1960s. He was the only drummer for the band until the breakup of Daisy Jones and The Six in 1979.
Karen Sirko
Keyboardist for The Six. Originally from Maryland and then Pennsylvania, Karen started out as keyboardist in a number of bands, including The Winters, before finally joining The Six in 1971. She played keyboard, electric harpsichord, and sang backup vocals.

Aurora World Tour 1978-1979
- San Francisco
- Nashville
- Tulsa
- Oklahoma City
- Atlanta
- Memphis
- Kansas City
- New Orleans
- London
- Glasgow
- Paris
- Munich
- Amsterdam
- Stockholm
- Auckland
- Sydney
- Melbourne
- Tokyo
- Los Angeles
- Seattle
- Portland
- Boston
- New York
- Dayton
- Chicago
Aurora Lyrics
Chasing The Night
Trouble starts when I come around
Everything’s painted red when I’m in town
Light me up and watch me burn it down
If you’re anointing a devil, I’ll take my crown
Foot on the gas, add fuel to the fire
I’m already high and going higher
Charging faster, ready to ignite
Headed for disaster, chasing the night
You turn wrong when you turn right
White light at first sight
Oh, you’re chasing the night
But it’s a nightmare chasing you
Life’s coming to me in flashes
Wearing my bruises like badges
Don’t know when I learned to play with matches
Must want it all to end in ashes
Food on the gas, add fuel to the fire
I’m already high and going higher
Foot on the gas, add fuel to the fire
Look me in the eye and flick the lighter
Oh, you’re chasing the night
But it’s a nightmare, honey, chasing you
This Could Get Ugly
The ugly you got in you
Well, I got it, too
You act like you ain’t got a clue
But you do
Oh, we could be lovely
If this could get ugly
Write a list of things you’ll regret
I’d be on top smoking a cigarette
Oh, we could be lovely
If this could get ugly
The things you run from, baby, I run to
And I know it scares you through and through
No one knows you like I do
Try to tell me that ain’t true
Oh, we could be lovely
If this could get ugly
Impossible Woman
Impossible woman
Let her hold you
Let her ease your soul
Sand through fingers
While horse, but she’s just a colt
Dancing barefoot in the snow
Cold can’t couch her, high or low
She’s blues dressed up like rock ‘n’ roll
Untouchable, She’ll never fold
She’ll have you running
In the wrong direction
Have you coming
For the wrong obsessions
Oh, she’s gunning
For your redemption
Have you heaved
Back to confession
Sand through fingers
Wild horse, but she’s just a colt
Dancing barefoot in the snow
Cold can’t touch her, high or low
She’s blues dressed up like rock ‘n’ roll
Untouchable, she’ll never fold
Walk away from the impossible
You’ll never touch her
Never ease your soul
You’re one more impossible man
Running from her
Clutching what you stole
Turn It Off
Baby, I keep trying to turn away
I keep trying to see you in a different way
Baby, I keep trying
Oh, I keep trying
I gotta give up and turn this around
There’s no way up when you’re this far down
And, baby, I keep trying
Oh, I keep trying
I keep trying to turn this off
But, baby, you keep turning me on
I keep trying to change how I feel
Keep trying to tell myself that this isn’t real
Baby, I keep trying
Oh, I keep trying
Can’t take off when there’s no runway ahead
And I can’t get caught up in this all over again
Baby, I keep trying
Oh, I keep trying
I keep trying to turn it off
But, baby, you keep turning me on
I’m on my knees, my arms wide
I’m finding ways to stay alive
Lord knows I’m pleading, pleading
To keep this heart still beating, beating
I keep trying to turn it off
But, baby, you keep turning me on
Baby, I’m dying
But, baby, I’m trying
I can’t keep selling
What you’re not buying
So I keep trying to turn it off
And, baby, you keep turning me on
I’m on my knees, my arms wide
I’m finding ways to stay alive
Lord knows I’m pleading, pleading
To keep this heart still beating, beating
I keep trying to turn it off
But, baby, you keep turning me on
Please
Please me
Please release me
Touch me and taste me
Trust me and take me
Say the things left unsaid
It’s not all in my head
Tell me the truth, tell me you think about me
Or, baby, you can forget about me
Please me
Please release me
Relieve me and believe me
Maybe you can redeem me
Say the things left unsaid
It’s not all in my head
Tell me the truth, tell me you think about me
Or, baby, you can forget about me
I know that you want me
Know that you wanna hold me
Know that you wanna show me
Know that you wanna know me
Well do something and do it quick
Not much more I can stand of this
Say the things left unsaid
Don’t act like it’s all in my head
Tell me the truth, tell me if you think about me
Or, baby, can you forget about me?
Please, please, don’t forget about me
Please, please, don’t forget about me
Young Stars
A curse, a cross
Costing me all costs
Knotting me up in all of your knots
An ache, a prayer
Worn from wear
Daring what you do not dare
I believe you can break me
But I’m saved for the one who saved me
We only look like young stars
Because you can’t see old scars
Tender in the places you touch
I’d offer you everything but I don’t have much
Tell you the truth just to watch you blush
You can’t handle the hit so I hold the punch
I believe you can break me
But I’m saved for the one who saved me
We only look like young stars
Because you can’t see old scars
You won’t give me a reason to wait
And I’m starting to feel a little proud
I’m searching for somebody lost
When you’ve already been found
You’re waiting for the right mistake
But I’m not coming around
You’re waiting for a quiet day
But the world is just too loud
I believe you can break me
But I’m saved for the one who saved me
We only look like young stars
Because you can’t see old scars
Regret Me
When you look in the mirror
Take stock of your soul
And when you hear my voice, remember
You ruined me whole
Don’t you dare sleep easy
And leave the sleepless nights to me
Let the world weigh you down
And, baby, when you think of me
I hope it ruins rock ‘n’ roll
Regret me
Regretfully
When you look at her
Take stock of what you took from me
And when you see a ghost in the distance
Know I’m hanging over everything
Don’t you dare sleep easy
And leave the sleepless nights to me
Let the world weigh you down
And, baby, when you think of me
I hope it ruins rock ‘n’ roll
Regret me
Regretfully
Regret me
Regretfully
Don’t you dare rest easy
And leave the rest of it to me
I want you to feel heavy
Regret me
Regret setting me free
Regret me
I won’t go easily
Regret it
Regret saying no
Regret it
Regret letting me go
One day, you’ll regret it
I’ll make sure of it before I go
Midnights
Don’t remember many midnights
Forgotten some of my best insights
Can’t recall some of the highest heights
But I’ve memorized you
Don’t remember many daybreaks
How many sunrises have come as I lay awake
Don’t dwell on my worst mistakes
But I always think of you
You’re the thing that’s crystal clear
The only thing that I hold dear
I live and die by if you’re near
All other memories disappear
Without you
Without you
Don’t remember how I was then
Can’t keep straight where I was when
What is my name, where have I been
Where did I start, where does it end
You’re the thing that’s crystal clear
The only thing that I hold dear
I live and die by if you’re near
All other memories disappear
Without you
Without you
Don’t remember who I used to be
Can’t recall who has hurt me
Forget the pain so suddenly
Once I’m with you
You’re the thing that’s crystal clear
The only thing that I hold dear
I live and die by if you’re near
All other memories disappear
Without you
Without you
A Hope Like You
I’m easy talk and cheap goodbyes
Second-rate in a first class disguise
My heart sleeps soundly, don’t wake it
A hope like you could break it
I’m lost deep in crimes and vice
Can’t get to the table and grab the dice
My heart is weak, I can’t take it
A hope like you could break it
It doesn’t matter how hard I try
Can’t earn some things no matter why
My heart knows we’d never make it
A hope like you could break it
People say love changes you
As if change and love are easy to do
My heart is calling and I can’t shake it
But a hope like you could break it
Some things end before they start
The moment they form, they fall apart
My heart wants so badly just to say it
But a hope like you could break it
Told myself this story a thousand times
Can’t seem to break the wants free from my mind
So much of my world goes unnamed
Some people can’t be tamed
But maybe I should stake my claim
Maybe I should claim my stake
I’ve heard some hopes are worth the break
Yeah, maybe I should stake my claim
Maybe I should claim my stake
On the chance the hope is worth the break
Aurora
When the seas are breaking
And the sails are shaking
When the captain’s praying
Here comes Aurora
Aurora, Aurora
When the lightning is cracking
And thunder is clapping
When the mothers are gasping
Here comes Aurora
Aurora, Aurora
When the wind is racing
And the storm is chasing
When even the preachers are pacing
Here comes Aurora
Aurora, Aurora
When I was drowning
Three sheets and counting
The skies cleared
And you appeared
And I said, “Here is my Aurora”
Aurora, Aurora

Thoughts on Daisy Jones and The Six
“I had absolutely no interest in being somebody else’s muse.
I am not a muse.
I am the somebody.
End of fucking story.”
Taylor Jenkins Reid, Daisy Jones and The Six
Let me start by saying that I have yet to read a Taylor Jenkins Reid book that I didn’t love. So I went into Daisy Jones and The Six with some pretty high expectations. I chose to listen to this as an audiobook and follow along in the physical book, and it really brought it all to life for me.
If you’re struggling with reading the book, give the audiobook a try. Sometimes you just need the right format to enjoy a book, and I highly recommend audio for this one.
I’ve never read an oral history formatted fictional novel before, so I was really curious if Taylor Jenkins Reid could pull it off, and she absolutely did. I thought before I opened the book that it was either going to be genius, or an absolute flop, and nowhere in the middle. It was going to a five or a one star read, just because it was a different way of writing.
I was invested in this story from the beginning. The characters in Daisy Jones and The Six were well-written, and clearly flawed, a mixture of both good and bad. They were not wrapped up in a pretty bow of perfection to be delivered to the reader. But I didn’t hate any of them either. They felt real.
The more I read of Daisy Jones and The Six, the harder it was to believe it was fictional and not real. Because it felt real. Every character was beautifully brought to life here, and I was invested in their character development, their life events, and their success.
I also love that Taylor Jenkins Reid wasn’t afraid to tackle some darker and difficult subject matter here in Daisy Jones and The Six. Love, addiction, abortion, infidelity. That takes courage, but also talent. You can’t write characters experiencing these things without a lot of love and care put into it.
I also feel like the songs should be real as well, because they are great. As I typed them out here in this review, I found myself singing them.

Final Thoughts on Daisy Jones and The Six
“You have to have one person in your life that you know would never do anything to steer you wrong. They may disagree with you. They could even break your heart, from time to time. But you have to have one person, at least, who you know will always tell you the truth.”
Taylor Jenkins Reid, Daisy Jones and The Six
I’m calling Daisy Jones and The Six a five star read. I loved it, and it definitely exceeded my high expectations. Daisy Jones and The Six is also a book that I will read again in the future, which is a big criteria for my five star ratings. I’ve also purchased it for others, another big criteria for the five star ratings.
As the book was wrapping up, I started to feel sad that it was almost over. This was a book that I wanted to continue, and that is a huge compliment to any author in my opinion.
Daisy Jones and The Six really showcases Taylor Jenkins Reid’s range of writing skills. Her stories aren’t just generic fiction that everyone gobbles up and calls genius. She is very talented as a writer. She wrote a love letter to rock and roll through Daisy Jones and The Six.
Talking to my husband after I finished the book, he asked me if I wanted to watch the show based on Daisy Jones and The Six and I said yes! I absolutely want to watch the show. That will be our next TV/movie watching session.
If you love music, drama, and beautifully flawed characters, you will love Daisy Jones and The Six.

Discussion
Have you read Daisy Jones and The Six or any other writing from author Taylor Jenkins Reid? Are you a fan? Let me know your thoughts in the comments!

Daisy Jones and The Six Discussion Questions
- This book is written in an oral history format. Why do you think the author chose to structure the book this way? How does this approach affect your reading experience?
- At one point Daisy says, “I was just supposed to be the inspiration for some man’s great idea. . . . I had absolutely no interest in being somebody else’s muse.” How does her experience of being used by others contribute to the decisions she makes when she joins The Six?
- Why do you think Billy has such a strong need to control the group, both early on when they are simply the Dunne Brothers and later when they become Daisy Jones and The Six?
- There are two sets of brothers in The Six: Eddie and Pete Loving, and Billy and Graham Dunne. How do these sibling relationships affect the band?
- Daisy, Camila, Simone, and Karen are each very different embodiments of female strength and creativity. Who are you most drawn to and why?
- Billy and Daisy become polarizing figures for the band. Who in the book gravitates more toward Billy’s leadership, and who is more inclined to follow Daisy’s way of doing things? How do these alliances change over time, and how does this dynamic upset the group’s balance?
- Why do you think Billy and Daisy clash so strongly? What misunderstandings between them are revealed through the “author’s” investigation?
- What do you think of Camila’s decision to stand by Billy, despite the ways that he has hurt her through his trouble with addiction and wavering faithfulness? How would you describe their relationship? How does it differ from Billy and Daisy’s relationship?
- Camila says about Daisy and Billy, “The two of you think you’re lost souls, but you’re what everybody is looking for.” What does she mean by this?
- As you read the lyrics to Aurora, are there any songs or passages that lead you to believe Daisy or Billy was intimating things within their work that they wouldn’t admit to each other or themselves?
- What do you think of Karen’s decision about her pregnancy and Graham’s reaction to the news? What part do gender roles play in their situation?
- Were you surprised to discover who the “author” was? How did you react to learning the “author’s” reason for writing this book?
- What role does the reliability of memory play in the novel? Were there instances in which you believed one person’s account of an event more than another? What does the “author” mean when she states at the beginning, “The truth often lies, unclaimed, in the middle”?
- What did you think of the songs written by Daisy Jones and The Six? How did you imagine they would sound?
- If you are old enough to have your own memories of the 1970s, do you feel the author captured that time period well? If you didn’t experience the seventies yourself, what did this fictional depiction of the time evoke for you?
About the Author

Taylor Jenkins Reid is the New York Times bestselling author of Daisy Jones and The Six and The Seven Husbands of Evelyn Hugo, as well as One True Loves, Maybe in Another Life, After I Do, and Forever, Interrupted. Her newest novel, Malibu Rising, is out now. She lives in Los Angeles.

Purchasing Daisy Jones and The Six
- If you are interested in buying the paperback version of Daisy Jones and The Six, click here.
- For the hardcover version, click here.
- Click here for the Kindle version.
- Click here for my favorite Kindle I currently own.
More From Taylor Jenkins Reid
Did you enjoy my review of Daisy Jones and The Six? Need another great Taylor Jenkins Reid novel? Here are my favorites!
- Forever Interrupted
- After I Do
- Maybe In Another Life
- One True Loves
- The Seven Husbands of Evelyn Hugo
- Evidence of the Affair
- Daisy Jones and The Six
- Malibu Rising
- Carrie Soto is Back
- Atmosphere
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